Add a professional level of finish to your next typeface.
You have a great idea for a typeface and you’ve started fleshing out a character set. But a certain something is missing. It doesn’t look like the polished fonts from your favorite designers. What is it? That’s what Latin One is all about — execution, craft, mechanics.
The course begins by detailing a typical type design process so you can spend more time designing, and less time correcting your mistakes. Then we look closer at setting up font files, tackling Bezier curves, spacing, proofing, making optical corrections to your letters, text vs. display type, and then some.
At the same time, you’ll put this new knowledge into practice by applying it to a typeface of your own. Feedback sessions and font file reviews take this course from purely theoretical to fully practical. You’ll receive concrete advice on how to improve your typeface — whether it’s a missing point, problematic proportions, or a letter that’s heavier than the rest.
The goal of this course is to take your raw material, refine it, and give it a solid foundation. You’ll gain an appreciation for the practice of type design and improve your eye in the process. The world of letters will never look the same.

Francis Chouquet, Lettering Artist
| Week 0 |
Jan 21 / Course introduction and kickoff (live, 30 min) Videos: Working smart: a basic type design workflow; Glyphs setup tutorial: How to install plugins & modules |
| Week 1 |
Jan 28 / Font file review (live, 2.5 hours) Videos: Font Info in Glyphs, Part 1 — Foundations & Setup; Proofing type |
| Week 2 |
Feb 4 / Feedback session (live, 2.5 hours) Videos: Basic techniques for drawing letters with Bezier curves; Spacing workshop, part one |
| Week 3 |
Feb 11 / Feedback session (live, 2.5 hours) Videos: Advanced drawing letters with Bezier curves; Spacing workshop, part two |
| Week 4 |
Feb 18 / Feedback session (live, 2.5 hours) Videos: Design difference between text and display type; Proofing typefaces |
| Week 5 |
Feb 25 / Feedback session (live, 2.5 hours) Videos: Font Info in Glyphs, Part 2 — Production & Iteration; Optical corrections in type |
| Week 6 |
March 2–4 / Individual feedback session Students choose a single 20 min feedback slot on one of the three days, no other course commitments this week. |
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The schedule is subject to modifications.
Classes begin at 10:30am Chicago / 12:30pm Buenos Aires / 5:30pm Berlin / Convert
How it works Pre-recorded lectures are released once a week and must be watched before the Wednesday live session on Zoom. The live feedback sessions happen once a week, every Wednesday, and are 2.5 hours long. Make sure to block time in your schedule to watch the videos — they’re essential for completing the assignments and participating in class. Are feedback sessions recorded? → |
Tuition is on a sliding scale and you decide which tier you pay according to your means. No matter what tier you choose, the course is exactly the same. Fees are stated in US dollars.
Why is tuition on a sliding scale? →
Are there scholarships or other tuition help available? →
Want to know when the next course is coming?
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December 3, 2025 — Scholarship applications open
January 4, 2026 — Scholarship applications due
January 5, 2026 — Enrollment opens
January 7, 2026 — (Free) Working smart: a basic type design workflow session
January 7, 2026 — Scholarship recipients notified
January 12, 2026 — (Free) Latin One Q&A session
January 13, 2026 — Enrollment closes, last day to enroll
January 21 to March 4, 2026 — Latin One
April 1, 2026 — Latin Two begins
Latin One is geared toward someone who is self-taught, has experimented with making fonts on their own, or someone who has taken introductory type courses (for example, a 10-week course or an intro to type design course at university).
Students should already be familiar with the basics of using a font editor and have the start of a typeface to work on during the course. Our aim is to cover the fundamentals of type design execution in more depth than would be possible in introductory classes. However, you do not need to have any formal training to make the most of the course, just the practical experience of drawing letters in a font editor.
Ideally yes. The course is designed for you to work on a typeface you started outside of class and improve it as we go along. If you want to participate fully, and receive feedback on your work, then you need some letters to work on. However, if you prefer to learn through observation, then you are welcome to join without one.
It does not need to be finished, or even near finished. If you have something like 10 characters, that’s a great place to start.
Text, display, connected script, experimental, sans serif, serif — bring whatever you’re excited to work on.
If you have a typeface that is uppercase only, know that we deal a lot with lowercase letters in the course (which would be the case in most any type design class). Feel free to bring all the capitals, but be ready to learn about the lowercase as well!
There are two components of the course that happen outside of the live sessions: watching the pre-recorded lectures and working on your typeface. We recommend spending a minimum of 4 hours outside of class to accomplish both of those activities.
The two courses were designed to be taken separately or one after the other. Students who enroll in Latin One will have the opportunity to sign up for any edition of Latin Two before the general public, giving them priority enrollment. Another benefit of taking Latin One is that students can skip the normal application process for Latin Two, and instead simply sign up.
Based on our past experiences with students, most people interested in taking Latin Two will also benefit from taking Latin One. If taken together, Latin One will get students ready for all Latin Two has to offer. Taken on its own, Latin One gives you the opportunity to dive deep into the execution side of type design, ask questions, and receive personalized feedback.
All demonstrations using a font editor will be conducted in Glyphs. Many of the concepts are universal (like drawing or spacing) and will easily translate from one font editor to the next. There is a lot to learn that is independent of a font editor. Although any font editor is welcome, just know that some content is Glyphs-specific and our primary fluency is with Glyphs. If you are interested in trying Glyphs, you can opt to use the trial license that comes free with the course.
All Practica courses are offered on a sliding scale, which can reduce the amount of tuition a student pays.
We’re also offering 2 scholarships for Latin One. Recipients will receive a full tuition waiver. The deadline to apply has passed, however. Notifications to recipients will be sent out on or before January 8, 2026.
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