Latin Two / Expansion

16 weeks
Live and online
Jan 15–May 7, 2025
Wed and Thurs @ 10:30a

Expand your typeface and your perspective on type design.

Immerse yourself in the world of type design while surrounded by the support of industry professionals and a community of like-minded typophiles. This live, online program is for designers who already have the beginnings of a typeface, but want to build it out into a multi-weight family. Students will work towards creating two compatible masters that are ready to interpolate into a larger family.

We’ll also focus on developing a more reflective design process and a more thoughtful typeface — one that is an expression of your unique outlook but also meets the needs of readers and users of type. Through the work of your classmates you’ll be exposed to a variety of typeface genres, giving you a window into approaches and styles outside of your own. We’ll weave these elements together and build a strong foundation in typeface design, not only for your current typeface but for future projects as well.

Through lectures and feedback sessions, we’ll explore these topics and dive into type design as a living, evolving discipline. By the end, you’ll be ready to tackle more complex projects with more confidence, and will have a better understanding of contemporary type design practice.

Practica’s constructive environment truly champions practical learning and experimentation for type designers of all backgrounds.

Andrew Bogard, Graphic Designer


What you’ll learn

Designing according to the intended use of your font

Building a strong visual system

Structuring font families and their design spaces

Creating new weights or styles through interpolation

Developing a more efficient and reflective type design process

Expanding character sets and designing diacritics

Keeping yourself motivated throughout development

The importance of writing systems outside Latin

Insight into the professional world of typeface design

Practica program with Sol and Nicole was a delight, I was not only able to develop my typeface by the hand of very experienced and generous professionals, in a warm and friendly environment, but to know new ways to approach expanding a font family.

Dafne Martínez, Heartline



More student work →

Schedule
Week 1 Jan 15 / Course introduction + lecture
Jan 16 / Lecture: the brief, making useful type
Week 2 Jan 22 / Project introductions
Jan 23 / Lecture: systems in typeface design
Week 3 Jan 29 / Mini lecture: designing proofs for feedback + feedback session
Jan 30 / Lecture: planning your typeface family, intro to interpolation
Week 4 Feb 5 / Feedback session
Feb 6 / Lecture: interpolation and its possibilities, design space ideation
Week 5 Feb 12 / Review of students’ font files
Feb 13 / Special session: Q&A
Week 6 Feb 19 / Feedback session
Feb 20 / Guest lecture: case study of GT Planar with Dominik Huber
Week 7 Feb 26 / Feedback session
Feb 27 / Guest lecture: shape experimentation with Fer Cozzi
Week 8 Mar 4—6 / Individual feedback sessions
No formal class this week
Week 9 Mar 12 / Feedback session with visiting critic Valerio Monopoli
Mar 13 / Guest lecture: the design of diacritics with Aleksandra Samuļenkova
Week 10 Mar 19 / Feedback session: diacritics with Aleksandra Samuļenkova
Mar 20 / Special session: Q&A
Week 11 Mar 26 / Feedback session
Mar 27 / Guest lecture: type, identity and politics with Golnar Kat Rahmani
Week 12 Apr 2 / Feedback session
Apr 3 / Lecture: the design of punctuation, numbers and more
Week 13 Apr 9 / Feedback session: punctuation
Apr 10 / Guest lecture: professional practise with Kimya Gandhi
Week 14 Apr 16 / Variable fonts workshop
Apr 18 / No class
Mar 22—25 / No class this week
Week 15 Apr 28—30 / Individual feedback sessions
No formal class this week
Week 16 May 7 / Final presentations 🎉

The schedule is subject to modifications.

Wednesday classes are 2.5 hours. Thursday classes are 1.5 hours.
Classes begin at 10:30am Chicago / 1:30pm Buenos Aires / 5:30pm Berlin / Convert

Are classes recorded? →
Will daylight savings time change my class time? →



What a blast! ... The program has boosted both my confidence and my motivation to produce more fonts. I recommend it highly.

Guillaume Berry, Rawr



Instructors
Nicole Dotin
Lead instructor
Process Type Foundry
Sol Matas
Lead instructor
Hungry Type
Fer Cozzi
Visiting lecturer
Type designer

Kimya Gandhi
Visiting instructor
Mota Italic
Dominik Huber
Visiting lecturer
Moiré
Valerio Monopoli
Visiting critic
Morula Type

Golnar Kat Rahmani
Visiting lecturer
Multilingual typography & type design
Aleksandra Samuļenkova
Visiting lecturer
Type designer
What’s included
  • 53 course hours
  • Live classes held over Zoom on Wednesday and Thursdays
  • Lectures, feedback sessions, font file reviews, focused instruction to push your ideas further
  • Ability to watch lectures again (lectures are live, but recorded)
  • Individual feedback on your typeface
  • Five guest lectures and one guest critique from industry professionals
  • Access to our private Discord community
  • Free trial Glyphs license
  • Certificate of completion (80% attendance required)
Tuition
Tier 1
Tier 2
Tier 3
$1600
$1950
$2300

Tuition is on a sliding scale and you decide which tier you pay according to your means. No matter what tier you choose, the course is exactly the same. Fees are stated in US dollars.

Why is tuition on a sliding scale? →
Do you offer payment plans? →
Are there scholarships or other tuition help available? →

FAQ
Important dates

Sunday, September 29, 2024 — Scholarship applications due
Wednesday, October 2, 2024 — Scholarship recipient notified by email
Mon, November 18, 2024 — Priority enrollment opens for Latin One students
Mon, November 25, 2024 — Applications open for everyone
Sun, December 15, 2024 — Applications close, last day to apply
Rolling – Notification emails sent out (see → How to apply)
Sun, December 22, 2024 – Last day to pay 25% tuition deposit
Fri, January 10, 2025 — Final payment due (except those on the payment plan)
Wed, January 15, 2025 — Latin Two begins, first day of class

Who is this course for?

Over the 5 years we’ve offered Latin Two, we’ve had the privilege of working with numerous types of students, all with unique backgrounds and motivations. Some are self-taught, and on the other end some have the same level of academic training as the lead instructors. Some want to become professional typeface designers, some are already professional type designers, and others just want to study a subject that fascinates them. This level of variance in student skill and motivation works because we spend a significant amount of time on personalized instruction via feedback sessions.

The level of Latin Two is best described as “working toward intermediate” or “intermediate”. Most students are working their way from “advanced beginner”, to “intermediate” by the end of the course. A few will be touching “advanced” if they came in with a strong skill set. If you are unsure whether you’re ready for Latin Two, we suggest taking a look at the Latin One page. If all the content of that course feels very familiar to you, then start at Latin Two. See also → Do I need to take Latin One before taking Latin Two?

Lastly, while we understand not everyone who attends Latin Two wants to become a professional type designer, it is taught from that perspective. Students attending can expect a rigorous (but compassionate) level of instruction from type designers working in the industry. If you’ve ever been curious about type design at a professional level, this course is for you!

Do I need to take Latin One before taking Latin Two?

In our experience, a majority of people interested in taking Latin Two would benefit from taking Latin One before. The exception is students who have received significant formal training in type design (instruction beyond introductory courses) or an equivalent level of professional experience.

Do I need to have a typeface designed to participate in Latin Two?

Yes! You’ll spend 16 weeks expanding a typeface you started outside of the program and practical experience is an important component for your individual advancement. Keep in mind the typeface doesn’t have to be fully formed or in a finished state when you apply. See → How far along does my typeface have to be to apply to the program?

What style of typeface can I start the course with?

Text, display, connected script, experimental, sans serif, serif — bring whatever you’re excited to work on.

Can I join the program with an uppercase-only typeface?

You’ll get more out of the program if you work on a typeface with upper- and lowercase characters. So, start adding a lowercase to your upper and join us!

How far along does my typeface have to be to apply to the program?

The typeface you bring is your starting point. We don’t expect you to show up with a finished piece of work, but you should be past the ideation phase and have a strong direction in place. At a minimum, you’ll need a single weight in progress with a basic character set. The definition of “basic character set” depends on the style of font, but it is likely most of the lowercase and some uppercase. If you have more, that’s great!

How much time am I expected to work outside of class?

We recommend committing a minimum of six hours per week to work outside of class and that might include readings.

Do I need to use a specific font editor?

All demonstrations using a font editor will be conducted in Glyphs. Many of the concepts are universal (like drawing or spacing) and will easily translate from one font editor to the next. There is a lot to learn that is independent of a font editor. Although any font editor is welcome, just know that some content is Glyphs-specific and our primary fluency is with Glyphs. If you are interested in trying Glyphs, you can opt to use the trial license that comes free with the course.

Are there scholarships or other tuition help available?

All Practica courses are offered on a sliding scale, which can reduce the amount of tuition a student pays.

We’re also offering one full tuition waiver for Latin One and Latin Two. See Latin One’s → Are there scholarships or other tuition help available? for more information.

How to apply

Your primary application materials consist of two items included in a single PDF: a cover letter and a specimen of the typeface you propose to work on during Latin Two. When applications are open, online form will collect basic information about you (name, address, etc.) and allow you to upload your PDF.

Applications will be reviewed as soon as they are received and you will be notified of your status in the program within a few business days. Applications will be accepted until the program is full or we reach the application deadline, whichever happens first.

Reminder: if you take Latin One, you do not need to apply to Latin Two. You will be given access to sign up for Latin Two, via email and Discord, before the general public.

Applications open November 25, 2024 and close Sunday, December 15, 2024.


1.

Cover Letter

The cover letter should respond to the following questions:

  • What is your background and previous experience in typeface design?
  • Why do you want to attend the program?
  • What do you hope to learn from the program?

2.

PDF Specimen

  • Start with a description of the typeface(s) you are proposing to work on. This might include the origins of the typeface, why you started designing it, where you are in the design process, how you’d like to expand it, what you’re struggling with, or the number of weights and styles (if applicable).
  • Include a full character set, labeled as such.
  • Show the typeface in an appropriate variety of sizes and types of settings.
  • Size your document to A4 or letter.
  • The final PDF should not exceed 10mb.

Note: Please add your full name to your PDF file, for example: daisy_newman-application.pdf.



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